ⓒ2025 YUXUANLIN All Rights Reserved.
00.Hi, my name is Sherry. I’m a interdisciplinary designer, musician and artist currently based in Toronto, Canada.

At present, I’m making efforts to develop a unique design style and explore new possibilities by using diverse media, both print and digital. I’m particularly fascinated by combining elements of music, poetry, and multilingualism in my designs. Through this integration, I aim to demonstrate positivity and brightness, offering a fresh perspective in the field of art and design.


imsherry02lin@gmail.com

Instagram @linsherry_arch

CV click here to download
09.Awakening from a Dream2025
Sound and Video

Sound
Video




Awakening from a Dream is an experiment exploring the instability of memory, the unfamiliarity of language, and the tension between sound and text. It is developed from a field recording I made two years ago on an island in eastern China.

The project investigates how personal memory — often fragmented and imprecise — can be reconstructed through sound and language. At the same time, it questions how precise of actual experience through text and language attempts to shape, stabilize, or even overwrite the actual experience of sound.

Video



The video consists of three basic elements:
The sound material is an unedited field recording from the island, which captures environmental noises, human traces, and ambient soundscapes. These sounds carry specificity to me personally but may sound abstract or unlocatable to others.

The subtitles appear in three languages: Traditional Chinese, English, and Korean. They are composed of short fragments — recalling time, space, scene, or states I remember from that location. I understand these three languages but they are not the most familiar to me. I need to spend subtle time reading them, which creates distance from me and the text.

The blank screen intentionally removes any precise visual reference, allowing the sound and text to become the only anchors for the audience’s imagination. This blankness creates a space of ambiguity — where listening becomes a primary mode of perceiving, and where memory can float without being visually fixed.